Realism & Naturalism

Comte Alfred Victor de Vigny also wrote during the while of romanticistism in France. Unlike most gen timetors of the era of Romanticism, however, his literary works frequently tended toward despair. The works, however, were characterized by the sentimental drama that characterized Romantic publications (de Vigny, 1920).

The literary works of a nonher french writer of the era of Romanticism, Victor Hugo, pursued themes of hope and liberty. While Hugo's literary works avoided the despair found in de Vigny's work, Hugo nevertheless allowed or so disappointment to emerge because of the restoration of the Second Empire in France. In Hugo's later literary works, he appeared to foresee the era of pragmatism in his emotional characterizations of the plight of the common volume in French society (Hugo, 1973). Hugo's willingness to mix literary genres in his writing (comedy and tragedy, as an example) strengthened his ability to cross the sweep between Romanticism and Realism.

Realism was a movement that shifted homosexual accent away from the fuzzy unreality of Romanticism to the discernable reality of everyday invigoration. Verisimilitude was prized in belles-lettres. Where the literature of Romanticism tended to focus on the upper levels of society where idealism and sentimentality could thrive, the literature of Realism focused on members of the middle levels of society. Thus, the literature of Realism chronicled the lives, loves, and deaths of som

The authors and characters of Romantic literature imagined what life might be. The authors and characters of Realistic literature presumed that they knew what reality was, and they were prepared to detect the values that made life better for all. The authors and characters of Naturalistic literature tended to be certain that life would always be challenging but that it was their duty to make the best of a or so unpleasant state of affairs.

de Balzac, H. PerF Goriot: A advanced Translation. Raffel, B. (Trans.). New York: W. W. Norton Co., 1997.

Flaubert, G. Madame Bovary. Minneola, New York: Dover Books, 1996.

Although Romanticism developed as a reply to the Rationalism of the Enlightenment; Realism developed as a reaction to Romanticism; and Naturalism deepened Realism and stripped that philosophic school of concept of human choice, the overall societal growth may be viewed accurately as a social continuum that involved shifting perceptions of the reality of human existence. The individual French writers, within the context of Naturalist philosophy, were able to provide believable explanations of only the social transformations that occurred in their own eras. Viewed as a connected body of work from the perspective of the present day, however, it is distinct that the social transformation over the several eras was a trade union movement of human discovery.

French authors in the era of naturalistic thought process believed that the various elements of nature, of which humanity is one, are explainable. Conversely, however, they believed that the wider natural universe could not be explained. Because the wider natural universe is characterized by randomness, explaining the grand natural process was not feasible.

Rimbaud, A. A Season in Hell, The Illuminations. capital of the United Kingdom: Oxford University Press, 1987.

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