The Poetry of EE Cummings

E. E. e. e. cummings, who was born in 1894 and died in 1962, wrote many poems with unconventional punctuation mark and capitalization, and unusual line, word, and even letter placements - namely, ideograms. cummings' most fractious form of prose is in all likelihood the ideogram; it is extremely terse and it combines both(prenominal) visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot pose the same message if pronounced and not read. Four of Cummings' poems - l(a, mortals), !blac, and swi( - illustrate the ideogram form quite well. Cummings utilizes bizarre syntax in these poems in rescript to convey messages visually as well as verbally. Although one may withdraw of l(a as a poem of sadness and loneliness, Cummings probably did not intend that. This poem is about individuality - ace (Kid 200-1). The base of operations of oneness can be derived from the numerous instances and forms of the go '1' passim the poem.



First, 'l(a' contains both the number 1 and the singular indefinite article, 'a'; the hour line contains the French singular definite article, 'le'; 'll' on the fifth part line represents two ones; 'one' on the 7th line spells the number out; the 8th line, 'l', isolates the number; and 'iness', the last line, can tight "the state of being I" - that is, individuality - or "oneness", deriving the "one" from the lowercase roman numeral 'i' (200). Cummings could have simplified this poem drastically ("a ruffle falls:/loneliness"), and still conveyed the same verbal message, besides he has altered the normal syntax in rewrite that each line should show a 'one' and highlight the story of oneness. In fact, the whole poem is shaped like a '1' (200). The shape of the poem can also be seen as the path of a falling leaf; the poem drifts down, flipping and fastening pairs of letters like a falling leaf gliding, rear end and forth, down to the ground.... If you want to get a full essay, order it on our website: Orderessay



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