At the same time, Hjalmar and his marriage are parts of the tender origination, which are never perfected in this world. Gregers might mother the best of intentions, alone hell is paved with such intentions. The "truth" in the place setting of Gregers' paragonism has more to do with theory than with reality. The more or less canonical "truth" one human being can give an opposite human being is understanding, compassion, empathy, love. To Gregers, however, perfection is the greatest gift, and he uses "truth" not to increase love and forgiveness and acceptance, exactly to try to perfect the recipients of his help. Hjalmar and his wife and daughter might not have had the best marriage and family in Norway, but subsequently Gregers was finished "perfecting" them with the "truth," it is clear that they are not better discharge as a result.
The question, then, is whether the help which comes to give that improvement very gives such improvement. The greatest truth is understanding another human being, including his or her shortcomings, failures, unique features, and accepting him or her. Gregers, on the other hand, sees everyone as an o
Gregers hates his name and hates himself, and he has not the will or the inclination to look interior to heal himself. Instead, he muddles other people's lives in the name of ideal perfection, trying to forget himself.
To Hjalmar's daughter Hedvig, reality is a vision world, populated by the wild duck and herself primarily. It is not a "true" world but she finds a measure of gladness and satisfaction in it.
When the idealist, the perfectionist, the truth-teller Gregers enters the scene, he educates Hedvig as to the kind of aliveness she should be leading instead: "Tell me this
Dr. Relling is the suit who most speaks for the author. Relling ends the play expressing the author's rage at the destruction done in the world to innocent people in the name of high-mindedness:
pportunity to exercise his own "truth." He sees himself as a brilliant character who is doing what he should do to awaken, educate and improve the world and the lives of the people he meets. What he is really doing, however, is trying to agitate others into his narrow conception of reality, or the truth.
Gregers plants a seed in the girl's purport which eventually leads to her tragic death. It is not difficult to translate that Gregers' "truth" did not apply to a sensitive character such as Hedvig. It is not difficult to say that Hedvig would have been better of if Gregers had never act to "save" her, had never tried to make her life conform to his vision of what the proper life should be.
Ah, if only I knew that, it would be all plain sailing. exclusively when one has the misfortune to be christened "Gregers"---"Gregers" and "Werle" to follow---did you ever hear anything so hideous? . . . I should feel inclined to spit on any
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