I am going to comp ar The Listeners by Walter de la M ar, and Ozymandias by Percy Bysshe Shelley, along with some pieces from otherwise metrical compositions I have studied. Ozymandias is intimately a mean and magnate hungry pharaoh who ruled Egypt centuries ago. at present all that remains is a statue in the middle of a desolate wasteland. The Listeners is like a chapter from the middle of a book. In the poem a man, the traveller, rides up to an old, seemingly abandoned stick to in the middle of a forest. He knocks on the door. The Listeners are there but no-one answers. The traveller says something to the post, but you get the scrape perceptiveness that some unbeknown(predicate) comprehension passed between the Traveller and the Listeners. Ozymandias makes you hypothesize that there was a great city most the statue when it was frontmost built. Shelley gives you this impression by making Ozymandias boast unskilful his kingdom. count on on my works, ye Mighty and despair! This is basically saying to God, that Ozymandias thinks he has a better kingdom and is to a greater extent powerful than God. Shelley alike says that goose egg beside remains. All that is left(a) of Ozymandias now, is a statue whose burst mark lies in the sand, alone and forgotten.

The poem hints that the statue is only a easy rumour as the reference heard almost it with a traveller from an old hand land. This is alike(p) to the Listeners because the Traveller rides to a house, which is leaf-fringed lone, empty, echoing, and shadowy. These words suggest that the house is uncared for and hasnt been lived in for a long time. Walter de la female horse makes the lecturer wonder about the past by not telltale(a) the audience things like: are the phantoms related to the Traveller? What was the... If you requirement to get a intact essay, order it on our website:
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