PAUL CEZANNE-STILL LIFE WITH APPLES I thought I in truth enjoyed this proletariated because we had to hand in a physical task which wasnt in a book. It was fun learning about all in all the skills and details you need to put up into a exposure that you create. I found it challenging mixing all the paints and creating the said(prenominal) emblazon then what was in the cipher, it was very(prenominal) challenging movie the proceeds with the right finish and shape. I chose this pictorial matter because I precious a challenge creating the right colors and shade; it besides gives you a glinting and warm feeling which is very tropical. I learned that when you look at a exposure it looks quite a easy but when you pick up the paint drag in that all changes and I learned how to mix the right paints to discombobulate the right colour. The painting doesnt use and straight lines they atomic number 18 all wavy and rough, he doesnt use some(prenominal) cool colours they atomic number 18 all warm and fulgid because he uses reds,orange,yellows and greens.

He doesnt use much blacks and whites so there is not much sense of value. There doesnt seem to be much space because all the fruits be close together in a bunch. He uses a sense of roughness for the texture. This painting gives you a warm and happy feeling, I think the artist was just painting this video recording because he emergencyed to experiment with different textures and shades, I put one acrosst think it was trying to carry out something. I decidedly think he succeeded at painting this picture because he made the painting look beautiful. JASON TEMPIf you want to get a full ess ay, order it on our website:
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